青(qī(🔮)ng )年季诺在办完(🏈)母亲(🛍)的(de )丧礼后，动身(shē(🚎)n )寻找当年抛弃(🏇)妻子(🧣)的(de )渣父，却(què )只(🏸)找(zhǎ(🛷)o )到疑似小三的(🍕)肚(📳)(dù )皮舞(wǔ )娘萝(💒)拉。殊(🎼)不知这位美丽(✈)的小(🕯)(xiǎo )三，二十五年(🆔)(nián )前就是季诺要找的(🤕)「他」。萝拉当(🎍)年的(🥊)绝情缺(quē )席，让(💫)季(jì )诺难(nán )以释怀。面(🔜)对毫(háo )不知(zhī(⚾) )情的(📈)儿子(zǐ )，萝拉尽(🏡)管心慌，也(yě )尽其(qí )可(🕕)能用现(xiàn )在的(🤐)模样(🕝)爱他。几次(cì )互(🍽)动(dò(🖥)ng )下来，季诺的心逐(🛸)渐(jiàn )柔软起来(🀄)(lái )。重(😆)(chóng )塑自己且活(⏪)得精(📁)(jīng )彩的(de )萝拉，究(📋)(jiū(🏒) )竟会(huì )不会和(🔱)季诺(⛔)出柜(guì )，坦(tǎn )承(🍱)自己(☕)的(de )人生故事？(🔗) BBC电视电影(yǐng )，本(běn )片根(👯)据真实故事改(🥫)编，剧(🗾)情基(jī )于大(dà(🛢) )量事实，并得到了当(dā(🤙)ng )事人及其(qí )亲(🏹)属(shǔ(🦎) )的合作与支持(🏿)，尽力(lì )还原了整(zhěng )个(✒)事件。 A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones. After NASA picks up a trio of mysterious signals from within our own solar system, astronaut Roger Nelson is dispatched on a multi-year solo mission aboard the Magellan spacecraft to investigate the sources. 《四个春天(🍖)(tiān )》是(🗣)(shì )一部以真(zhē(🖥)n )实家(🐿)庭生活为背景的(🥄)(de )纪录(lù )片。15岁离(🤺)家，在(🤛)异乡(xiāng )漂泊多(🧞)年(niá(🐌)n )的导(dǎo )演以自(🍒)己(💶)南方小(xiǎo )城里(🕉)(lǐ )的(🏭)父母为(wéi )主角(👦)(jiǎo )，在(🐜)四年光阴里(lǐ(🙁) )，以(yǐ )一己之力(lì )记录(🚖)了他们的美丽(📈)日(rì(⛔) )常。在如诗的乐(💃)活慢生活图景中，影像(⛺)(xiàng )缓缓雕刻出(😻)一个(➗)幸福(fú )家庭近(🏝)二(èr )十年(nián )的温柔变(🥠)迁，以(yǐ )及他(tā(🎈) )们如(😅)何以(yǐ )自己的(💝)方式(🤑)面对流转(zhuǎn )的时(🤟)(shí )间、人生(shē(👟)ng )的得(🐘)失起落。 一群学(😿)(xué )生(😕)在(zài )一个封闭(🕗)的古堡里庆(qìng )祝(📉)新年(🆙)，但是(shì )他们抵(🕺)达不(🐟)久之(zhī )后，一些(🕺)奇怪(guài )的现象让人不(👍)安，本(běn )该开(kā(🚮)i )心的(❣)跨年(nián )却变成(🗨)接二连三的悲(bēi )剧... 一(🦔)(yī )道高大的围(🦕)墙两(🌞)侧生活着红族(⛰)(zú )与绿(lǜ )族两个部落(🕟)。一场罕(hǎn )见的(🗝)旱灾(🍹)(zāi )使绿(lǜ )族的(🕯)人民(💌)陷入窘(jiǒng )迫的(👫)(de )境(🏓)地，首(shǒu )领mu 在一(😌)份古(🚭)老竹简的(de )指引(🏎)(yǐn )下(🏄)，不惜(xī )牺牲一(🚺)切代价，与红(hóng )族建(jià(😎)n )立合作关系，拯(🗃)救本(😆)(běn )部落。第(dì )二(💑)六(liù )五任“mu”在位之(zhī )际(🆒)，绿族将遭(zāo )受(🌒)巨大(🌍)灾难，唯有借(jiè(🕢) )助红(hóng )族力量，方可渡(🐌)过难关。 Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea. Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’(💐)s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change